Showing posts with label Bil Wright. Show all posts
Showing posts with label Bil Wright. Show all posts
Monday, September 23, 2013
CBC Diversity Newsletter: September 2013 v. 2
Thursday, September 19, 2013
"I Want to Write What I Know"
An It's Complicated! — Authentic Voices guest post by author, Bil Wright.
“Write what you know!” Isn’t that what English teachers, writing instructors and even guest authors encourage beginning writers to do? Many young writers, eager to begin to unravel the mystery of how to tell a story “successfully” hold onto this advice as a foundation for their writing careers whether it be professionally, academically or writing for their own enjoyment. Certainly this adage provides a certain comfort level; writing about what is familiar almost guarantees, if nothing else, a level of credibility and even authenticity, doesn’t it? And certainly, for any writer wanting to make a deep connection with his/her reader, authenticity is a quality that is highly desirable. So then does that mean I should stay away from writing about topics or characters, indeed people who are less familiar to me? Perhaps I should not include them in my computer created world, lest I fall short of making them totally believable to my reader. Perhaps I should compile a list so that I’m careful to avoid these topics and characters as I proceed to tell my stories.
Friday, September 6, 2013
Take Four! A New, Two-part "It's Complicated" Conversation
As part of CBC Diversity's ongoing effort, we're pleased to present the fourth dialogue in the "It's Complicated!" blog series starting next week, and for the first time, it will run over two consecutive weeks, starting on Monday. This time we've invited five authors to share their thoughts about writing inside their cultural perspective, and five authors to discuss writing outside their cultural perspective.
I think most would agree that in an ideal world, the diversity depicted in books and of their creators would match the diversity of our world. But I know some might disagree on the best way to get there--what if that's not immediately possible? Is it better to have white/straight/able-bodied, etc. authors write books about non-white/LGBT/disabled, etc. characters? Can those characters truly be authentic? What if the only way authors of color can achieve commercial success is by writing books with non-diverse characters? And can those books be authentic, too? Are there any topics that should be "off-limits" to outsider writers? Do you trust an author you perceive to be an insider more than you would an outsider?
Monday, September 3, 2012
Creating Book Covers As Both Mirror and Window
When looking for books, we like covers that have attractive/intriguing images and type, suggest genres we like, resemble books we’ve already enjoyed (but don’t resemble them too much as to feel derivative), and look new/current. Also extremely important is, for young readers, “Is this book about someone like me?” One little cover must carry a lot of weight.
With so many wonderful books published about kids of all types, it’s very possible for diverse kids to discover characters that resemble them. For this connection to happen, the cover design becomes incredibly important. But a cover doesn’t only need to appeal to kids (whose tastes and visual language are as diverse and evolving as they are), it has to meet the approval of art directors, editors, authors, agents, publishers, sales and marketing departments, book buyers and sellers, librarians, reviewers, parents, etc.—all of whom are adults, with their own ideas about what works. An interesting challenge, yes?
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